Jacob More
1740-93
Scottish painter, active in Italy. The son of an Edinburgh merchant, he was first apprenticed to a goldsmith and then, from 1766, to the Norie family of house-painters. In the 1760s he produced numerous sketches of the Scottish Lowlands (examples Edinburgh, N.G.), and in 1769 he designed and executed stage sets at the Theatre Royal, Edinburgh, for the first productions after the legalizing of the theatre in Scotland. More's Edinburgh period culminated in a series of oil paintings of the Falls of the River Clyde, three of which are in public collections: Corra Linn (Edinburgh, N.G.), Stonebyres Linn (London, Tate) and Bonnington Linn (Cambridge, Fitzwilliam). These paintings are regarded as the first serious artistic interpretations of the Scottish landscape, depictions by previous artists having been essentially topographical in character. More took a set of three of them to the Society of Artists Exhibition in London in 1771, at which he gained widespread recognition and the personal encouragement of Sir Joshua Reynolds. Related Paintings of Jacob More :. | Summer | The First Days of Spring | Blue and White(before 1904) | saturnus slular sina barn | So the Treasure was Divided | Related Artists: Willem van Mieris(3 June 1662, Leiden - 26 January 1747, Leiden) was a Dutch painter. He was a son of Frans van Mieris sr. and brother of Jan van Mieris.
His works are extremely numerous, being partly imitations of the paternal subjects, or mythological episodes, which Frans habitually avoided. In no case did he come near the excellence of his sire.
van Mieris has works in the Victoria and Albert Museum as well as Cheltenham and Derby Museum and Art Gallery
Saloman van Ruysdael1600-1670
Dutch
Saloman van Ruysdael Gallery ORRENTE, PedroSpanish Baroque Era Painter, 1580-1645
Spanish painter. He is one of the most interesting artists of his day. His father, Jaime Orrente, was a merchant from Marseille, his mother, Isabel Jumilla, from Murcia. By 1600 Orrente was active in Toledo, where he was commissioned to paint a retable (untraced). In 1607 and again in 1611 he was in Murcia, and a journey to Italy recorded by Jusepe Mart?nez and Palomino must have taken place between those years. It seems certain that he visited Venice and met Leandro Bassano
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